Beliefs and Blasphemies

A Collection of Poems

About the Book

Beliefs and Blasphemies exhibits the same qualities--accessibility, deep feeling, wisdom, humor, and technical brilliance--that made Virginia Hamilton Adair's first collection of poems, Ants on the Melon, into a bestseller and a literary landmark. Here Mrs. Adair devotes her attention to a single theme, religion, but in her brilliant performance the theme's variations turn out to be wide and deep--from reverence to iconoclasm, from comedy to profundity, from joy to lament. If you are looking for Hallmark platitudes or E-Z faith, look elsewhere.

In "Saving the Songs," for example, we reconsider Martin Luther's penchant for recycling barroom tunes into hymns: "Said Luther of the singing in saloons,/'Why should the devil have the choicest tunes?'" More soberly, in "The Reassem-blage," we are asked to test the extremes of the Christian version of the hereafter--"one a verdict brutal beyond imagination,/the other by most reports an eternity of boredom"--against our hearts' hopes. The conclusion? "Some myths are too terrible for our believing." "Goddesses First" muses about the primacy of female deities in many religious myths. "Choosing" uses the poet's virtual blindness to explain her celebration of the only distinction her "frail vision can discern": the literal difference between night and day. Zen temples and the chapel at a state mental hospital, animism and meditation, whores and angels--this curious, witty, and compassionate sensibility encompasses them all.
Virginia Hamilton Adair is a uniquely American poet--restless in her lyrical investigations, hopeful and honest, rigorous in her formal accomplishments, spontaneous in her emotions. Beliefs and Blasphemies will appeal to anyone who has ever thought about first things or final things--anyone who enjoys speculating about how we got here and where we're going--and it will reconfirm its author's stature as a national treasure.
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Excerpt

Beliefs and Blasphemies

Whodunit
 
Is there some cosmic lab
where the stars conspire, inventing Life?
Did the parturition of nothingness
give birth to all this glory?
The writers of mysteries busy themselves with death.
But who or what is the perpetrator of Life?
We live and die in the eternal question mark.
 
Goddesses First
 
From the beginning, they must have been miles ahead of the men,
fleet as fawns, nimbly evading those heavy hulks lumbering after
giving apelike yells to establish mastery,
their bellies stuffed with animal fat, their lungs caked with chewing tobacco.
 
The escaping female swung up into trees, while her pursuer
broke the branch and toppled into the briars. It is easy to see
why goddesses preceded gods. The female wit was sharper.
God is a girl, they intoned, and if you don’t believe us, no soup
tonight.
 
The males howled when blood ran from a cut;
the women could bleed mysteriously and feel no pain.
From the place of blood came new beings, small creations of great interest.
The men were always fooling around this secret entrance, exit.
Come on in, the girls would say, when warm and well fed.
They found the male huffing and puffing greatly amusing,
like later on, the TV comedian after the dishes and the evening
news.
 
In All
 
Part of the maker dwells in all that’s made:
in crafted things, the plough, the ax, the spade,
the everlasting flower carved in jade,
souls of the trees that gather in the glade,
beauty of girls, although their beauty fade,
the starry marchers in the sky parade,
the egg in chaste perfection, newly laid.
The maker dwells in all the maker made.
 
To the Worldmaker
 
Why does mankind insist you have a gender?
Are you a scary ruler, punitive yet tender,
jealous and bellicose, with a short fuse,
and partial to an ancient tribe of Jews?
Like Carroll’s Cheshire cat, your features fade,
leaving a smile for all the worlds you’ve made.
 
Games with God
 
I played, a child both wild and meek,
with God at games of hide-and-seek.
I searched in vain the usual places
and found a thousand saddened faces.
 
“Your God is hidden in heaven,” they said;
“You’ll see him only when you’re dead.”
How could I make them understand
God often took me by the hand?
Then as my tears began to fall
I felt his touch and heard his call,
“I never hid from you at all.”
 
I played with God a game of tag,
his mantle flying like a flag.
I gave my God a good head start
but caught him running in my heart.
I played with God the game “I Spy,”
but lost him with my fading eye,
till playmate God in his pure kindness,
printed his image on my blindness.
 
Versions of Jehovah
 
Versions from Aramaic to Old Greek
only approximate the truth we seek.
Quoth poor Jehovah, frowning as he read,
“They’ve falsified most everything I said.”
 

About the Author

Virginia Adair
Virginia Hamilton Adair was born in 1913 in New York City. Educated at Kimberly, Mt. Holyoke, Radcliffe, and the University of Wisconsin, she taught briefly at Wisconsin, William & Mary, and Pomona College, and for many years at California Polytechnic University at Pomona. She passed away on September 16, 2004. To find out more about Virginia Hamilton Adair, visit her website at http://faculty.vassar.edu/kawaugh/ More by Virginia Adair
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Random House Publishing Group