Blue Sisters: A Read with Jenna Pick

A Novel

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September 3, 2024 | ISBN 9780593822821

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About the Book

NEW YORK TIMES BESTSELLER • READ WITH JENNA BOOK CLUB PICK AS FEATURED ON TODAY • Three estranged siblings return to their family home in New York after their beloved sister’s death in this “deeply nuanced and compelling” (Vogue) novel, from the acclaimed author of Cleopatra and Frankenstein.

“A beautiful portrait of grief and the world-shaping bond sisters share.”—Real Simple

A VOGUE AND HARPER’S BAZAAR BEST BOOK OF THE YEAR

The three Blue sisters are exceptional—and exceptionally different. Avery, the eldest and a recovering heroin addict turned strait-laced lawyer, lives with her wife in London; Bonnie, a former boxer, works as a bouncer in Los Angeles following a devastating defeat; and Lucky, the youngest, models in Paris while trying to outrun her hard-partying ways. They also had a fourth sister, Nicky, whose unexpected death left the family reeling. A year later, as they each navigate grief, addiction, and ambition, they find they must return to New York to stop the sale of the apartment they were raised in.

But coming home is never as easy as it seems. As the sisters reckon with the disappointments of their childhood and the loss of the only person who held them together, they realize that the greatest secrets they’ve been keeping might not have been from one another but from themselves.

Imbued with Coco Mellors’s signature combination of humor and heart, Blue Sisters is a story of what it takes to keep living after loss—and, ultimately, to fall in love with life again.
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Praise for Blue Sisters: A Read with Jenna Pick

“In lush, cozy prose, Mellors guides us into the lives of Avery, Bonnie, and Lucky Blue, reuniting to clean out their childhood apartment in New York City on the first anniversary of their sister Nicky’s death. . . . She is . . . able to capture the ferality, stickiness, and beauty of both sisterhood and grief.”The New York Times

“This intricate portrait of a family of sisters is deeply nuanced and compelling, a family drama with intimate psychological portraits within it.”Vogue

Blue Sisters by Coco Mellors paints a beautiful portrait of grief and the world-shaping bond sisters share.”Real Simple

“If you loved Little Women or Ann Napolitano’s Hello Beautiful, consider putting Coco Mellors’s Blue Sisters at the top of your reading list. . . . Expect bingeable, alternating chapters and a well-rounded perspective on grief, addiction, and complicated family dynamics.”The Skimm

“Sparkling with wit, shot through with longing, Blue Sisters is a beautiful novel, both dazzlingly joyful and achingly sad.”—Jenny Jackson, New York Times bestselling author of Pineapple Street

“In Blue Sisters, grief is rendered with gorgeous particularity. Coco Mellors writes about the special language endemic to family and troubles the idea of home.”—Raven Leilani, New York Times bestselling author of Luster

“With great sensitivity to language and psychology, Mellors offers an immersive portrait of three young women as they search one another and their contexts for antidotes to complex afflictions. The result is a stunning exploration of sisterhood and grief, addiction and recovery, pain and pleasure. At once contemporary and timeless, Blue Sisters is captivating.”—Tess Gunty, National Book Award–winning author of The Rabbit Hutch

“Suspended between the high of escapism and the slap of reality, the story of Avery, Bonnie, Nicky, and Lucky is a healing balm to lost souls. Blue Sisters will unearth tenderness and heartache from spectacular depths within you, giving new dimensions to the word blue.”—Xochitl Gonzalez, New York Times bestselling author of Olga Dies Dreaming

“Coco Mellors has the unique gift of making the picturesque, almost Wes Anderson–chic Blue sisters feel viscerally real, and it is a pleasure to be in their world even as they struggle with difficult things: grief, addiction, and generational trauma. In prose that is at times transcendently beautiful, Mellors has painted a portrait of sisterhood in all its pettiness and messiness and beauty and grace. It’s stunning.”—Rufi Thorpe, author of The Knockout Queen, a PEN/Faulkner Award finalist

“I never imagined a novel about grief could leave me feeling so warm. Coco Mellors has crafted a richly textured tale of love, loss, and addiction in all its complexities. When I made it to the final page, I had tears in my eyes.”—Isabel Kaplan, bestselling author of NSFW

“A stunning sibling story for fans of Emma Straub and Lily King.”Library Journal

“Mellors delves into sibling drama with this frank and soulful offering . . .This story of addiction and grief will resonate with readers.”Publishers Weekly
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Excerpt

Blue Sisters: A Read with Jenna Pick

Chapter One

Lucky

Lucky was late. Irresponsibly, irreversibly, in-danger-of-losing-this-job late. She had a fitting with a couture maison in the Marais at noon, but that was ten minutes ago, and she was still miles away on the metro. She had spent the night before at a fashion week party enjoying the open bar (the only kind Lucky cared for), where she’d met a pair of corporate-employed graffiti artists who were anxious to restore their reputations as creatives on the fringe of society. They’d offered to take her on the back of one of their motorcycles to an abandoned mansion, a former diplomat’s home in the 16th Arrondissement, that they’d set their sights on tagging. Lucky wasn’t particularly into the concept of defacing a historical building with spray paint, but she was always happy to delay the night ending.

The building had been more tightly secured than expected, dotted with security cameras and encircled by an intimidating pronged fence, so they’d settled for spraying the metal shutters of a nearby tabac instead, the graffiti artists opting for libertarian slogans popularized by the Paris protests of 1968—It is forbidden to forbid!—while Lucky went for a classic rendering of a penis and balls. They’d watched the sun come up from the steps of Palais de Tokyo while drinking bottles of pink Veuve Clicquot they’d swiped from the party, then returned to Lucky’s place to smoke a joint. After a predictable attempt by the two men to initiate a threesome, Lucky suggested they skip the middle woman and just do each other before passing out fully dressed on top of her bed, awakening several hours later in her empty and, thankfully, unransacked apartment to a perky reminder from her booker to wash her hair before the fitting today.

It was also the one-year anniversary of Nicky’s death.

As the metro surged on, Lucky checked her phone to find a missed call and voicemail from Avery, who was no doubt on a mission to get her to “process” her feelings about this day, plus a formal-looking email from their mother she promptly ignored. She missed the New York subway with its filth, reliable unreliability, and lack of cell service; the Paris metro was almost aggressively efficient and fully accessible by cell phone, even underground. Here, there was nowhere to hide. Without listening to Avery’s message, Lucky slid the phone back into her pocket. She had not seen any member of her family since Nicky’s funeral a year ago. That night, a strong, hot wind blew through the city; it upturned restaurant tables and sent garbage cans tumbling down avenues, it broke power lines and snapped tree branches in Central Park. And it scattered Lucky and her sisters to their corners of the world, without any intention of returning home.

She was now fifteen minutes late. In her hurry to leave, she’d forgotten her headphones, an oversight guaranteed to throw off her entire day. Lucky usually couldn’t walk more than one block without digging them into her ears, building a musical buffer between herself and the world. But she’d gotten out of the door in record time, helped by the fact she’d forgone her usual breakfast of a Marlboro Red and an ibuprofen and left the house in the clothes she’d woken up in. Surreptitiously, she gave her T-shirt a sniff. A bit smoky, a bit sweaty, but, overall, not too bad.

“Je voudrais te sentir.”

Lucky’s eyes jumped to the man sat across from her, who had just spoken. He had the tense, rodentlike face of prey, but his eyes were all predator. In his hands, he clutched a large Volvic water bottle over his crotch, pointing it toward her. He was smiling.

“What?” she asked, though she had no desire to know what this man had said, to speak to him at all.

“Ah! You are American!”

He pronounced it the typical French way—emphasis on the can.

“Yup.”

Lucky nodded and reached for her phone again, trying to radiate uninterest.

“You are beautiful,” he said, leaning toward her.

“Mm, thanks.”

She kept her eyes glued to her phone. She considered shooting off a text to her booker to say she was running behind, then decided against it. That would only make the lateness real. Better to enjoy the comfort of this limbo period while she could, before anyone knew she was messing up yet again.

“And so tall,” the man continued.

In dark vintage Levi’s and a black cropped tee, Lucky was, indeed, as straight and long as an exclamation point. She hunched her shoulders forward, so he could see less of her, and she became a question mark.

“Mon dieu!” he exclaimed softly to himself. “T’es trop sexy.”

She should get up and leave. She should tell him to go f*** himself. She should take his water bottle—his big, stupid, blue imaginary phallus—and crush it between her hands. Instead, she pointed to her phone.

“Look, I’m just—”

She frowned and pointed at her screen to indicate that she was making a call. She scrolled quickly through her contacts. But who could she call? She didn’t actually want to talk to anyone. Out of habit, she searched Nicky’s name and hit the dial button. They were all part of a family phone plan that Avery paid for; she guessed Avery had decided to spare herself the anguish of canceling Nicky’s number by simply continuing to pay her share. Lucky didn’t know where Nicky’s phone was now, dead in a drawer somewhere she imagined, but she was grateful to still have this. Her sister’s voice filled her ear.

You’ve reached Nicky’s phone, leave a message after the tone. Have fun!

She was giggling, self-conscious about being recorded. Just faintly in the background, Lucky could hear herself, several years younger and oblivious to the loss her future held, laughing.

“I would love to know you,” the man persisted.

“I’m on the phone,” said Lucky.

“Ah, d’accord.” The man leaned back, palms open in a ridiculous gesture of gallantry. “We speak after.”

It wasn’t the first time she’d phoned Nicky since she died; the urge to speak to her sister and tell her what life was like without her was constant. Calling her felt like being an amputee who, believing she still has legs, keeps trying to stand.

“Hi, it’s me,” began Lucky as the tone sounded. “I . . . Well, I’m just calling to say hi.”

She glanced at the man, who made no attempt to pretend he wasn’t listening to her.

“It’s fashion week here so things are kind of hectic, as always, but I wanted to call because . . . Um, it’s a big day for you, I guess. One year! I can’t believe it. So yeah, I just wanted to call and say . . . Not congratulations, obviously. It’s not, like, a goddamn celebration. But I wanted you to know I’m thinking about you. I’m always thinking about you. And I miss you. Obviously.” Lucky cleared her throat. “So that’s it. I love you.” Lucky waited to see if she would feel anything, some energetic shift in the cosmos to let her know her sister was listening. Nothing. “Also, Avery’s being annoying. Bye.”

She hung up and glanced out the window. They were almost at Saint Paul, her stop. As she unfurled herself to stand, the man reached to touch her arm. She jumped as though he had held a lit match to her skin.

“Can I take your number?”

The train slowed into the station and Lucky stumbled. He grinned up at her as she faltered. His teeth were stained brown from tobacco.

“You are so sexy,” he said.

Lucky looked at the man eyeing her with possessive joy, as though picking out his pastry from a glass display case. The water bottle still protruded toward her from his crotch.

“Can I?” she asked, pointing to it. The train came to a halt.

“This?” he asked, baffled. He handed her the plastic tube. “Mais bien sûr.”

She took the bottle from his hands, unscrewed the cap, and tipped the remaining water into his lap. The man shot up with a yelp as a dark patch spread across his jeans. Lucky darted toward the exit and pulled the silver lever, that curious object of agency unique to Paris’s metro, and the train doors sprang apart. From the platform, she could hear him calling her a bitch as passengers streamed onto the train between them. She took the stairs two at a time and emerged into the sunlight.

On Place des Vosges, stone archways swooped overhead as Lucky raced toward the address her booker sent her. Two old men smoking in matching olive trench coats turned to watch her as she passed. She rang the bell and passed through the chipped blue wooden doorway that led to the courtyard. At the other end was a tall, spiral stairway; her heavy boots reverberated off the stone walls as she climbed each floor, stopping on each landing to catch her breath. A pack-a-day smoking habit, started when she was a teenager, had left her ill-suited to this sort of activity. Finally, she dragged herself by the banister to the very top. A woman with her hair scraped into a tight dark bun and a tape measure snaked around her neck was standing in the doorway waiting for her.

About the Author

Coco Mellors
Coco Mellors grew up in London and New York, where she received her MFA in fiction from New York University. Her debut novel, Cleopatra and Frankenstein, was a Sunday Times bestseller, has been translated into over fifteen languages, and is currently being adapted for television. She lives with her husband and son in New York. More by Coco Mellors
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