I Leave It Up to You

A Novel

About the Book

From the award-winning author of Flux comes a dazzling novel about love, family, and the art of sushi that asks: What if you could return to the point of a fateful choice, wiser than before, and find the courage to forge a new path?

A coma can change a man, but the world Jack Jr. awakens to is one he barely recognizes. His advertising job is history, his Manhattan apartment is gone, and the love of his life has left him behind. He’s been asleep for two years; with no one to turn to, he realizes it’s been ten years since he last saw his family.

Lost and disoriented, he makes a reluctant homecoming back to the bustling Korean American enclave of Fort Lee, New Jersey; back into the waiting arms of his parents, who are operating under the illusion that he never left; and back to Joja, their ever-struggling sushi restaurant that he was set to inherit before he ran away from it all. As he steps back into the life he abandoned—learning his Appa’s life lessons over crates of tuna on bleary-eyed 4 a.m. fish runs, doling out amberjack behind the omakase counter while his Umma tallies the night’s pitiful number of customers, and sparring with his recovering alcoholic brother, James—he embraces new roles, too: that of romantic interest to the nurse who took care of him, and that of sage (but underqualified) uncle to his gangly teenage nephew.

There is value in the joyous rhythms of this once-abandoned life. But second chances are an even messier business than running a restaurant, and the lure of a self-determined path might,  once again, prove too hard to resist.

Why do we run from those we love, and why do we still love those who run from us? A highly entertaining and poignant story about second chances and self-discovery, I Leave It Up to You navigates loss, love, and the absurdity of finding one’s footing after the ground gives way.
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Praise for I Leave It Up to You

I Leave It Up to You is funny and tender, with characters whose lives are satisfyingly messy. Jinwoo Chong is a writer for those of us who exist between cultures and identities.”—Gabrielle Zevin, New York Times bestselling author of Tomorrow, and Tomorrow, and Tomorrow

“A remarkable portrait of an American family . . . compassionate and beautifully told.”—Grace D. Li, New York Times bestselling author of Portrait of a Thief

“Jinwoo Chong is a master storyteller. A novel about second chances, the many threads of love that tie people together in the face of loss, and the maddening complexities of family devotion, this is a spectacular book.”—Crystal Hana Kim, author of If You Leave Me and The Stone Home

“Sweet and satisfying without sacrificing bite, I Leave It Up to You achieves that which we cherish in our most favorite works: an unvarnished reflection of reality.”—Mateo Askaripour, New York Times bestselling author of Black Buck

“Funny and wickedly observant with a cast of characters so endearing I laughed out loud and was moved to tears, Jinwoo Chong’s I Leave It Up to You is a delicious meal of a book, with courses of drama, tragedy, and comedy. Jack Jr.’s efforts to separate himself from his raucous, loving, over-reaching Korean American immigrant family are rendered with brilliant finesse and beauty.”—Jimin Han, author of The Apology

“Alive and boisterous and entirely profound . . . a riot and a tender exploration of (re)discovering your place in the world.”—Bryan Washington, author of Family Meal

“By the end of I Leave It Up to You, Chong managed to pull off the impossible: He made me fall in love with New Jersey. His prose is funny, exuberant, and moving, and his characters are packed full of life in all of its spectacular dysfunction.”—Grant Ginder, author of The People We Hate at the Wedding

“A spirited and deeply affecting story about love in all its forms, the chaos and complications of family, and how to pick yourself back up in the wake of loss . . . as pleasurable as a good conversation over an excellent meal.”—Gina Chung, author of Sea Change

I Leave It Up to You explores what it means to be healthy, to love, to rebuild a family in the aftermath of a bewildering tragedy. A tender novel of rebirth and repair . . . a delicious read.”—Isle McElroy, author of People Collide

“Captures precisely that tragicomic feeling of suspended animation . . . [a] funny and big-hearted novel.”—Rafael Frumkin, author of Confidence

“Versatile wunderkind Chong . . . deftly, poignantly, gloriously transforms family dysfunction into universal life lessons about how independence and autonomy don’t have to mean giving up unconditional love, underscored with a ringing reminder to never take it for granted.”Booklist, starred review

“Chong expertly captures [a] family’s complicated dynamics and ratchets up the tension as they finally break the silence about the past. It’s a satisfying drama.”Publishers Weekly
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Excerpt

I Leave It Up to You

1

What the Actual F***, Man?

Waking up is an easy thing to do. To be asleep, then not. To be a mind out there in the dark with no ground underneath, no legs or arms, no chest, no blood pumping in rhythmic bursts up my neck, no body at all, no hands, no hair or eyes, no ass or dick. Yes, sir, just your eyeless, handless, assless, dickless self just hanging out there in space for forever until suddenly, you’re not. Because suddenly is in fact the best word I can think of to describe it. Suddenly, SUDDENLY, with all the absolute cosmic consequence in the universe, a strange and terrifying surprise takes place and a thing that was not ever supposed to happen—happens. So quietly that nothing about it feels extraordinary at all. You wake up. You being me. Me being somebody, just some guy who in a singular moment has found himself all at once awake and sore in the neck. Clenching my fists shut, opening my eyes, two of them on my face exactly where I remembered them to be. Seeing another someone sitting there in front of me, composed of bold lines as though drawn on fresh white printer paper with a king-size Sharpie. Giant blue eyes—two of them—staring back at me. Like a tether, a spark from him to me, into my face, my neck, down my chest and arms, to the bottoms of my toes buried under warm, scratchy fibers. I hear a thought click slowly into place, my first thought in a very, very long time: that in the beginning, there was me, and also him.

“Ren?”

I didn’t hear my own voice but felt my throat vibrate. His eyes were fixed on me and had been all this time. He didn’t move. Maybe he hadn’t heard me. I tried to arrange my perception of him; parts—the eyes, the shoulders, the chest—were swimming around, jagged and refracted as if underwater. I noticed then that he was covered, head to toe, in crisp blue fabric. A cap over his hair, a surgical mask over his face. There was a cord of neck muscle pushing against his skin. Ren looked upset. I tried to tell him everything was fine, to calm down, since I had a lot to ask him: Where was I? Why did my entire body feel like vibrating air? Like Jell-O? Like it was broken in every conceivable place and hastily put back together again by someone with only a loose understanding of the human body and which of its parts fit into each other? He looked really, really upset, more so by the second.

“Ren—” I tried to say again, opening my mouth, making the shape of his name with my lips. I said my husband’s name a lot, punctuating my existence with it as though I had a nervous tic. I felt safe when I said his name. He always appeared, full and warm, when I said it, moved ever so slightly in his sleep when I whispered it to him in our bed. I was in the middle of saying it again when I felt my throat strain against something sharp and hard. It occurred to me that there were not—as I’d assumed—just us two things within this new universe I’d woken up in. Among the great many things that were now making their presence known—a harsh overhead light, a dull warmth gathered at the small of my back—was the grip end of a canoe oar or a golf club that, for reasons unknown, I’d been deep-throating in my sleep. I made a soft choking noise, testing it out again—“Ren?”—and felt the canoe oar strain against the right side of my esophagus, scraping soft tissue. I brought my hand up toward my neck, continuing to choke. I tried to stay calm. I didn’t want to freak him out. But Ren’s eyes had gone as wide as plates.

“Oh f***—” he said loudly, in a rough and booming voice that took me a second—two—to realize I did not recognize. “Oh holy mother***king f***!”

A pause, while I continued to choke. Then, gathering his breath, the person sitting in front of me, who was not in fact my husband, said this: “This really isn’t supposed to happen.”

I tried to say something along the lines of “What a f***ing weird thing to say” but gagged before my lips could form the words. Not-Ren’s voice was deep and flat, clear like audio recorded on an expensive podcasting microphone and filtered straight into my ears through noise-canceling headphones. I’d never heard a voice so sharp and high-def in my entire life; his was a knife that had cut away all the fuzz around the world, making it new and whole. He had a wonderful voice. There was a lot to admire about a voice like that, despite its obvious distress, despite its not being my husband’s and currently not trying very hard to tell me where my husband even was. The broomstick in my throat was starting to make me tear up. Weakly, I pointed at it, asking him for help.

“Jack—” He was suddenly a lot closer than before, one hand steady around my neck. I caught a glimpse of dark, curly hair poking up over the collar of his shirt while he reached for something above my head. “Just stay calm. Can you do that, Jack? It’s a breathing tube. You’ve been intubated—”

I remembered that Jack was my name. Jack, plus a big, obnoxious Jr. that has been appended since birth, not only on my birth certificate, but also within normal conversation. Jack Jr., Jack Jr. Hey, look over there, it’s Jack Jr. just f***ing around minding his own business and being an exemplary citizen and shit. Hey, Jack Jr.! Why’s the sky blue, Jack Jr.? Oh, that’s easy, it has something to do with the refractory properties of the atmosphere, which scatters blue wavelengths of light more than any other on the spectrum of visible radiation. Happy? Need anything else? Not a thing, Jack Jr., you’re a real stand-up guy, Jack Jr.

The existence of a Jack Jr., naturally, implies the existence of a Jack Sr., himself the face that bloomed inside my head when my thoughts came to rest on my family, an act that itself was as infrequent an occurrence as humanly possible. Umma used to call me Jack Jr. for convenience, I could only assume. It seemed that between myself and Appa, there were simply too many variables, too many arcs of potent, chaos-making destructive interference she would be entertaining by calling either of us Just Jack. The solution, of course, was to label us Jack Jr. and Jack Sr. Which stuck at birth and would forevermore. So, it was cute. Every guy I’d ever dated had commented at some point or another on just how cute it was—Ren included—and I found myself agreeing at least half the time, depending on how well the relationship seemed to be going and just how much I was going to forgive said guy—Ren included—for mentioning my family. I didn’t like when people mentioned my family. I hadn’t thought of my parents in a long time.

“Jr.,” I tried to say, but only managed to gag some more.

He was holding my head up at an angle, angling my face up at the ceiling while sticking his thick fingers into my mouth. He was telling me something, either to keep breathing or to stop breathing, and I couldn’t completely tell so I tried to do both. After another few seconds, I felt a heaving, gurgling scrape in the back of my throat, far deeper than I’ve ever been aware of in my lifetime (even in college), then made a noise halfway between a burp and a cough as the offending probe exited my larynx. The flexible plastic tube, fixed at the end with a fun little yellow inflatable cuff that—I don’t know—kept it secure inside me, trailed spit across my face while he pulled it out of my mouth. I was gasping for air, realizing now that I hadn’t been breathing much this entire time. The room was coming into sharper view: a window spanning almost the entire wall, through which a black city was silhouetted faintly against orange and green moonlight. There was noise off to my right; he was ducking his head out the door and yelling. I tried to ignore him. I felt small. The universe, as it turned out, was a lot bigger than I’d been led to believe thus far, and it was stressing me out. I turned my head as far as it would go, trying to bury my face in something, a pillow maybe, but the light was too bright.

“Please, please just stop yelling,” I said, a hoarse sound from the back of my throat, screwing my eyes shut.

He turned around, and I noticed for the first time that on top of the surgical mask over his face and skullcap over his head, he was wearing a plastic shield that looked like half of a dog cone pointed down over his forehead. His clothes were pale blue and looked like paper.

“What are you doing?”

“What am I doing?” I said. “I’m lying here trying to sleep. Not to mention almost choking to death on whatever it is you just pulled out of me. What the f*** even was that?”

“A tube, endotracheal tube, it’s a breathing tube,” he said, chopping his words up, staring at me, apparently terrified to find I could speak words.

“Okay. Well, thank you for that. Can you find my husband? Do you know where he is?”

“I’m trying to get you a doctor,” he said, his big booming voice beginning to waver more as something—it couldn’t have been me, since I was just existing here in front of him—continued to freak him the f*** out. “This . . . this is just—holy f***. You’re really—you’re really not supposed to be—”

“Doctor,” I repeated slowly. I sat up and saw that I was lying in one of those motor beds with plastic handles on all sides. It looked like the luxury kind that could curl into a ball with you in it. “Why are you looking for a doctor?”

About the Author

Jinwoo Chong
Jinwoo Chong is the author of the novel Flux, a finalist for the PEN/Hemingway and VCU Cabell First Novel awards, a New York Times Book Review Editors’ Choice, and named a best book of the year by Esquire, GQ, and Cosmopolitan. His short stories and other work have appeared in The Southern Review, Guernica, The Rumpus, Literary Hub, Chicago Quarterly Review, and Electric Literature. He lives in New York City. More by Jinwoo Chong
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