Universality

“Universality is a rare novel. It’s bold and brilliant. The humor is wry and, at times, cutting. But more than that, it’s an intelligent and humorous examination of class and wealth—and a real page-turner to boot. I will read anything Natasha Brown writes.”—Molly Aitken, author of Bright I Burn

“[Brown’s] second novel, Universality, more than delivers on the promise of her first. It is terrific; a pin-sharp, savagely funny tale of class, wealth and manipulation.”—The Bookseller

“In what is proving to be her signature architecture—a compact, cunning design of secret passageways—Brown immerses the reader in a house of haunted language. Fixing its attention on the cultural mutations of the extraction economy, Universality implicates everyone and condemns no one. I emerged from this novel with the conviction that the murder victim Brown is here to avenge is discourse itself. . . . Original, vital, and unputdownable.”—Tess Gunty, author of The Rabbit Hutch

“Universality is smart and expansive, keen on the intricacies of language and class.”—Raven Leilani, author of Luster

“I think that is the book everyone will be reading and talking about in 2025. Brave, wry, cool, and thrilling, Universality is the kind of fiction that makes you sit up and feel alive.”—Andrew O’Hagan, author of Caledonian Road

“Another sharp serve from a brilliant mind.”—Paul Mendez, author of Rainbow Milk

“Ambitious and stimulating . . . Brown’s narrative is less concerned with the crime than with astutely portraying the thorny, complex ways that class and race seep into news, information, and language itself—and how they can be utilized for personal gain. As in Susan Choi’s Trust Exercise and Lisa Halliday’s Asymmetry, part of the fun is in seeing where the story will jump to next, and the ways in which each new perspective changes the reader’s understanding. The result is a dizzying and fascinating tale.”—Publishers Weekly, starred review